Senzala de Santos - Mestre Sombra e Beija Flôr - Vol

Senzala de Santos - Mestre Sombra e Beija Flôr - Vol.1 o Capoeira Senzala de Santos, Music from the world - Mestre Sombra e Beija Flôr, posted on Capoeiras.Com v.05, Published: Mie Mar 16, 2005 5:22 pm by then user WILSON.

Capoeira Senzala de Santos, Music from the world

Mestre Sombra and Beija Flôr

1-God gave us capoeira (Ladainha, Angola)

Song: Shadow

Choirs: Beija Flôr, Christina, Dimi, Junior, Hector, Luis

Berimbao: Gunga, Sombra / Viola, Beija flôr / Violinha, Nô

Atabaque: Christian

Tambourine: Roberto

Agôgo: Tohinho

My faith in God is great

My faith in God is great

And as big as the universe

In the capoeira circle,

I ask God for protection.

On the berimbao string,

My name I will speak

I call myself the past

Of the very present future

Long live God in the highest

He gave us capoeira, comrade

Yeee

long live my God

Hey

long live my God comrade

Iee

let's go

Hey

let's go buddy

Through the bar

Hey

Through the bar outside the chamber

Holy Mary Mother of God

Holy Mary Mother of God

I arrived at church and confessed.

Holy Mary Mother of God

The boy cried

Ho boy cried

Nhem, nhem, nhem

Shut up boy

The mother left

I went to buy brown sugar

And you are a brat

Hi, you're the one who's a brat

The kid is you

Beautiful game is what I want to see

Oh, oh Aidê

Play nice is what I want to see

Oh, oh Aidê

Play properly so I can learn

Your heart beat mine

My colleague, your word was worth it

My colleague, your word was worth it

One stone hit another

Your heart beat mine

Iee

rooster crowed

Hey

rooster crowed camara

Eê cocorocô

Iê cocorocou camara

Hey long live my master

Long live my master chamber

Hey who taught me

Who taught me buddy?

Hey capoeira

Go to capoeira camara

tie tie

Tiriri tie black beans mangolou

The woman who loved me

He went away and left me

Hey

galou sang

Iê galou sang camara

Hey

cocorocou

Iê cocoroco camara

Hey

long live my master

Long live my master chamber

Hey who taught me

Who taught me buddy?

Citizen

Citizen make up your mind,

If you decide, citizen,

Goat knows danger,

From the elbow to the hand

Hey

galou sang

Iê galou sang camara

Hey

cocorocou

Eê cocoroco camara

Hey

long live my master

Hey long live my master chamber

Girl

Girl when I see you,

I immediately feel a shiver,

The forest has mystery,

The secret of the river

Hey

rooster crowed

Hey

rooster crowed camara,

Hey

cocorocou

Eê cocoroco camara

Saint George is a warrior

Saint George is a warrior

And my holy protector,

Goat, my name is Shadow

In capoeira I am Doutô

Hey

rooster crowed

Hey

rooster crowed, camara

I wanted to go

I wanted to go,

But now I won't go anymore,

On the way appeared,

Two Coral Snakes.

This snake bites me

Dream Saint Benedict

She's going to bite me

She is poisonous

She is dangerous

Look, it's the snake's venom

The snake is damned

She will kill you

Saint Benedict calls me

Saint Benedict calls me

Oh, oh, oh

Goodbye Goodbye

Goodbye goodbye

Have a good trip

I'm leaving

2-Capoeira is my origin (Ladainha, São Bento Grande de Angola)

Song: Beija flor

Choirs: Beija Flôr, Christina, Dimi, Junior, Hector, Luis

Berimbao: Gunga, Sombra / Viola, Beija flôr / Violinha, Nô

Atabaque: Christian

Tambourine: Roberto

Agôgo: Toninho

I'm going to talk about Capoeira

I'm going to talk about Capoeira

Your story is my origin

From Bantu, Guinea, Angola

Came by slave ship

Your visa to enter Brazil

It was to be sold into captivity

In the time of slavery

A lot happened there

Oh my God forgive me

I don't sing this part

I don't want to sing sadness

Sadness makes me cry.

I remember Mestre Bimba,

Pastinha and other Masters

That are already gone from this earth

Wherever they are

I know they are following us

And seeing our progress

Capoeira in the studio,

Today she is a success

World is evolving

Towards a new direction

The Berlin Wall

It's no longer a prison

Now the monument

From a new generation

Generation that gives direct

Of man and woman

Thanking the Creator

For this strength and a lot of Axé

Capoeira is Brasuca

Foot stomp fight

If you play right

Capoeira is just Axé

Axé Axé

Beautiful game, for men and women

Axé Axé

Capoeira is the strength of the Brazilian people in Afoxé

Axé Axé

My name is Beija Flôr with love and lots of axé

Axé Axé Capoeira is very Axé

A different sound

I heard a different sound

I came close to hear

It was a circle of people

Singing, playing I couldn't resist

Plaintiff, armed and woof,

Half Moon and Cut Grass

Plaintiff, armed and woof,

Half Moon and Cut Grass

This capoeira thing never leaves me!

This capoeira thing never leaves me!

The singing, the game and the ginga

Half Moon and Cut Grass

This capoeira thing never leaves me!

I asked the man what it was

The master stopped playing

Tell me, it's capoeira if you want to learn you'll have to train

Tell me, it's capoeira if you want to learn you'll have to train

The singing, the game and the ginga

Half Moon and Cut Grass

This capoeira thing never leaves me!

samba de roda

3- Clap your hands Luana

Singing and berimbao viola: Beija flôr

Choirs: Beija Flôr, Christina, Dimi, Junior, Hector, Luis, Moço, Roberto, Nô

Berimbao: Gunga, Sombra / Viola, Beija flôr / Violinha, Nô

Atabaque: Christian

Tambourine: Roberto

Timba: Noh

Beat, beat drum let it beat

Look, clap, Luana

I want to see

Hit, hit Luana

Your belly button in mine

Look at that skirt, Luana,

Hôôô

I traveled, O luana

Around the world

Visiting Europe, Luana

Satisfaction and glory

Capoeira Wheel, Luana

I went to play

I played, I played Luana

I played with Nana

I do samba, Luana

Sambei with Nana

4-Berimbao touches

Berimbao Gunga: Sombra Angola, Idalina, Iuna

Berimbao Viola: Beija flôr Santa Maria, Ponha Laranja, Iuna

Berimbao violin: Nô, Aviso, Cavalaria, Iuna

Angola

Santa Maria

Warning Chivalry

Idalina

Put orange on the floor, tico-tico

Iuna

5-Maculêlê

Song: Beija Flôr

Guitar: Toninho

Choirs: Christina, Dimi, Junior, Luis, Moço, Nô, Roberto

Praise to our Lady

Today is Our Lord's Day

The thunder rumbled at sea

Aruanda ê ê ê, Aranda ê ê a

Aranda ê ê ê, Aranda ê ê a

It's me maculêlê

It's me, it's me, it's me

It's me, Maculêlê it's me

It's me, it's me, it's me

It's me, Maculêlê it's me

We came from Mato Grosso

We are ponds from Mata Real

It's me, it's me, it's me

It's me, Maculêlê it's me

Maculêlê in the sugarcane field

Read read Maculêlê, come on bitch

The read Maculêlê, there in the sugarcane field

Read read Maculêlê, come on bitch

Hello read Maculêlê, there in the sugar cane

Tindolêlê auê cauiza

Tindolêlê auê cauiza

Tindolélê royal blood

I am son I am grandson of Arunada

Tindolêlê au ê cauiza

Tindolêlê auê cauiza

Tindolélê royal blood

I am son I am grandson of Arunada

Tindolêlê au ê cauiza

I came on time

I came on time

I came on time

I came on time

I'm from Angola

I came on time

I came on time

I came on time

I'm from Angola

6-Atabaque ringtones (Saint Bento Grande of Angola)

Song: Beija flor

Atabaque Rum: Christian

Atabaque Ilê: Nô

Choirs: Christina, Dimi, Junior, Luis, Moço, Nô, Roberto

Fencing: Shadow and Hector

The slave

Son of Negô is Capoeria, oh Sinhà, of Coroné is Doto

Negô plays in Senzala, oh Senhà, the white man heals oh Sinhô

Son of Negô is Capoeria, oh Sinhà, of Coroné is Doto

Negô plays in Senzala, oh Senhà, the white man heals oh Sinhô

Son of Negô is a slave, the coroné has freedom

To study in the capital, a business pencil is a sickle,

The notebook is the sugarcane field

If a coroné is a kind ditch, with a slave who is human,

Maybe he would be a cultured Negô, capable of curing the sick,

Or at least he would be a smart little black guy

But God is just and final, he does not abandon the oppressed,

He helps the weakest, and helps the injured

Corronel Missus calls you

Colonel, Colonel, Colonel, Dona Sinha sent for you

Colonel, Colonel, Colonel

that the black ilk disobeyed,

Colonel, Colonel, Colonel

What punishment are we going to give him?

Colonel, Colonel, Colonel

a beating from the venta of the avoar skin

Colonel, Colonel, Colonel

Tie that black girl to her fur,

Colonel, Colonel, Colonel

so that she feels a lot of pain,

Colonel, Colonel, Colonel

That way she won't disobey.

Look at Negô in culture

Look at Negô, look at Negô, look at Negô, sir

Look at Negô, look at Negô, look at Negô, sir

Look at Negô in the Senzala, look at µNegô at the carnival,

I look at Negô in Quilombo, in Quilombo de Palmares

Look at Negô, look at Negô, look at Negô, sir

I look at Negô in Candomblé, I look at Negô in Umbanda,

Look at Negô at Mesa Branca, look at Negô at Afoxé,

Look at Negô, look at Negô, look at Negô, sir

Look at Negô Capoeira, look at Negô in Maculêlê,

I look at Negô in Samba de roda, in magic and knowledge, but I look at Negô!!!

Look at Negô, look at Negô, look at Negô, sir

In the land of mastic

Iê lelê, iê lala, now get out of the circle, I want to play

Iê lelê, iê lala, now get out of the circle, I want to play

In the land of Aroeira, at the break of dawn,

I see a Negô Capoeira, playing the beautiful Angola

Iê lelê, iê lala, now get out of the circle, I want to play

Iê lelê, iê lala, now get out of the circle, I want to play

I asked where it came from, he laughed heartily,

Now I come from Senzala, from Senzala, my lord

Iê lelê, iê lala, now get out of the circle, I want to play

Iê lelê, iê lala, now get out of the circle, I want to play

Excuse me my friend, I came to say my prayer,

Because I play Capoeira, here's my handshake,

Iê lelê, iê lala, now get out of the circle, I want to play

Iê lelê, iê lala, now get out of the circle, I want to play

This knife won't cut me, listen well my companion,

My Master is saombra, he taught me to be light

Iê lelê, iê lala, now get out of the circle, I want to play

Iê lelê, iê lala, now get out of the circle, I want to play

Look at Negô

Look at Negô Sinha, who's coming to play,

Capoeira de Angola, he comes to play

Look at Negô Sinha, he's coming to play

He comes to Senzala, because it has,

Capoeira de Angola, with him comes

Look at Negô Sinha, he's coming to play

He comes from Bahia de São Salvadô,

With his berimbao, he is a Doctor

Look at Negô Sinha, he's coming to play

I'm leaving, I'm leaving now, I'm going with God, my love,

I'm going to go far away, learn Capoeira,

Learn trickery, when you fall, when you fall down the slope

The fall, the fall of the slope

7-Dirim Dim Dom

Song: Beija Flôr

Berimbao Viola: Shadow

BerimbaoViolinha: Nô

Choirs: Christina, Dimi, Junior, Hector, Luis, Moço

Atabaque: Christian

Tambourine: Roberto

Agogo: Toninho

Dirim Dim Dim, Dirim Dim Dom

Capoeira spreads across the floor,

Dirim Dim Dim, Dirim Dim Dom

And Berimbao making the call

Dirim Dim Dim, Dirim Dim Dom

Litany we sing praise

Dirim Dim Dim, Dirim Dim Dom

Capoeira game on the floor,

Dirim Dim Dim, Dirim Dim Dom

Leg play, wetting the spine, detraining the body,

Valente cannot lay a hand,

Dirim Dim Dim, Dirim Dim Dom

Capoeira spreads across the floor

Dirim Dim Dim, Dirim Dim Dom

Capoeira is light comes from captivity, arriving in Europe with satisfaction

Dirim Dim Dim, Dirim Dim Dom

Capoeira spreads across the floor,

Dirim Dim Dim, Dirim Dim Dom

my grandmother heals the sick,

When these people pray, it is not indifferent, as Capoeira raises emotions

Dirim Dim Dim, Dirim Dim Dom

8-Sad old city (São Bento Grande de Angola)

Song: Beija Flôr

Berimbao Viola: Shadow

BerimbaoViolinha: Nô

Choirs: Christina, Dimi, Junior, Hector, Luis, Moço

Atabaque: Christian

Tambourine: Roberto

Agogo: Toninho

Sad old city, without even a protection

It's true my colleague, and the great Cubatão

I have never seen so much sadness, nor so much pollution,

In that poor place, it makes my heart ache,

And I want to cry, and, yeah, yeah, I want to cry,

, and, uh, yeah, yeah haaaaaaa

I want to cry

And speaking of sadness, I don't even like remembering it.

From Vila Soco, from those people there

Oh my God, I have to give, as if that weren't enough,

Serra do Ma is still coming, which is in great danger,

One day she breaks down, and, yeah, yeah, I want to cry

, and, uh, yeah, yeah haaaaaaa

I want to cry

9-Samba de roda

Berimbao Viola: Shadow

Berimbao Gunga: Beija Flôr

Berimbao Violinha: Nô

10-Life of a black man from the slave quarters (Angola)

Song: Beija Flôr

Berimbao Viola: Shadow

BerimbaoViolinha: Nô

Choirs: Christina, Dimi, Junior, Hector, Luis, Moço

Atabaque: Christian

Tambourine: Roberto

Agogo: Toninho

Sir, sir, don't come and get me

Sir, sir, I can't work anymore

I ran away from the Senzala, so the deed wouldn't hit me,

I am Bantu Negô, you might even die,

This world is wrong, it's going to whip me,

I came from Angola, I'm going back to Angola,

The sweat is running, my body is already tired,

I want freedom, please free me

Sir, sir, don't come and get me

Sir, sir, I can't work anymore

I will die in freedom, than live in slavery,

It was the word of a King, in defense of his brothers,

I in Quilombos das Palmares, I wanted to make my Nation,

So that everyone was equal, so that everyone was brothers

Without masters, without slave quarters, far from slavery, he lived in the sugarcane field

I worked all day, but the worst thing is that my owner never bought it,

The slave I loved, how I love being Black, my color, no

It represents the nights, freedom, and the structure of my country.